The type of media that I consume most regularly is music. I
don’t have a lot of time for TV, and I find it difficult to sit still long
enough to watch an entire movie. But with music, it’s not something that
requires your full attention. Music usually accompanies some other activity
(i.e. running, cleaning, doing homework, working out). These days, almost all music
is available digitally, for either downloading or streaming. This
website details the ways in which the millennial generation consumes music,
with heavy emphasis on streaming. (Side note: this website also says that 68%
of millennials think that music should be free. 68%! That baffles me, but
whatever. Moving on.)
I’m a huge fan of streaming services, particularly Spotify. Because
let’s face it, finding an album where you enjoy every single song is rare. I jam to “Sorry” by Justin Bieber every
time it’s on the radio, but there’s no way in hell I’m buying that whole album.
Well. Probably not. Okay maybe. Okay fine I got it for Christmas but I didn’t
ask for it, okay? But that brings me to my next point: I collect CDs. Compact
Disks. Music in the actual physical form. Shocking, I know. This weekend, I was
cleaning my room and I decided to put on some background music. Cleaning my
room is something that usually only happens like once or twice a year, and
usually only when my parents threaten to kick me out if I don’t do it. So, as
you can imagine, it’s quite the task. I can usually get through like three or
four entire albums, but that includes snack breaks. And Tumblr breaks. And
literally every other type of break that I can even slightly rationalize in my
head. Anyway, my albums of choice this weekend were Delirium by Ellie Goulding, Future
Hearts by All Time Low, and Around
The World And Back by State Champs. As I was putting them into my stereo (I
don’t know if anyone actually remembers what that is, it’s like this big thing
with big speakers that you put CDs in. It has buttons and stuff). Anyway, I noticed
that the only one that had a clear “explicit” label was the Ellie Goulding CD.
I hadn’t really listened to it much yet, but I was paying closer attention to
the lyrics, trying to decipher what exactly was “explicit” about it. I heard “no
one fucks it up like us,” in one song, and “Bitches got to eat, got to get back
to work” in another. I suppose the music didn’t have my full attention, but
those are the only two possibly “explicit” lyrics I heard. Ellie Goulding isn’t
singing about drugs or sex, at least not in such a forward way. If she is, I
didn’t pick up on it. But I found it interesting because I’m very familiar with
the other two albums, and Future Hearts
has a few F bombs, too. Around The World
And Back has far fewer, with only one that I can think of outright, and just one other swear word at all. But neither of those albums, the physical copies
at least, had any explicit label displayed on them. I decided to check Spotify,
and found out that they do it differently. Instead of labeling an entire album
as “explicit,” the label the individual songs within the album. Same with
iTunes.
So what made Ellie Goulding’s use of the word “fuck”
explicit, but not Alex Gaskarth’s? Who decides that? This website
lays out the “guidelines” of music rating, but notice how vague it is. “Strong
language” or material that “could be
considered offensive or unsuitable for children.” Looking at the labels, one
would think that Ellie Goulding’s music was more explicit than All Time Low’s.
If I were a parent, that would not have been the assumption that I made. So, as
a hypothetically oblivious parent comparing the two, I may have bought the All
Time Low album, thinking that it would be more appropriate for my child.
My last point to
make is that movie rating is definitely more patrolled. It’s much more
difficult for an eleven year old kid to get into an R rated movie than it is
for them to download a Jay-Z album. It’s definitely not impossible, but there
are at least some barriers that they would have to go through in order to see
the movie. Music is available online (both legally and illegally) with
absolutely zero barriers. I’ve never had to show I.D. for buying an album with
an Explicit label. And an eleven year old is certainly capable of clicking the “I
agree” button on a website pop-up that states “you must be 18 years or older to
continue using this website.”
I guess the thing
with music is that there are no specific guidelines. With movies, there is a
specific rating system. There are guidelines as to what can be shown and what
can be said within each specific rating. But with music, there are only two
ratings, it’s either “explicit” or it’s not. And I think that everyone sort of
had their own definition of “explicit.” It all depends on where you choose to
draw the line. For some parents, a single swear word might be crossing that
line. Some might consider sexually detailed language as the line. Some parents
might literally not care at all. I was at work once and this like seven year
old little girl was standing next to me, rapping Kendrick Lamar’s “Backseat
Freestyle” word for word. And her mom was singing along.
That's a very good question. What does explicit mean? Is it blood, violence, and gore or sexual innuendos and depictions? Are they different levels of explicit? What are the levels? Is one considered more damaging to young minds than others? The rating system and how it defines explicit is very ambiguous.
ReplyDeleteI didn't know that individual songs were labeled explicit online. So we've heard the argument that films are rated more strongly because you're seeing violence or sexual content or whatever as opposed to just hearing it in a song. Yet if songs or albums get the sticker for just a couple F bombs, that seems really inconsistent between the two media forms.
ReplyDeleteHow about a new sticker. Parental Advisory: Subjective Sticker